Sallie Taylor
Tower Series
The series, Towers, is composed of nine paintings of different tower structures. The inspiration for the series began with the artist’s compelling encounter with the reconstructed Angola guard tower at the National Museum of African American History and Culture. That encounter started the exploration of other archetypal structures built from a human need to access an extreme capacity of something that would otherwise be unattainable, for better or worse.
The towers that are the subjects of the paintings became a trigger for the abstract representations as well as the body of poems paired with each painting. Each tower was documented on site by the artist through photographs. The photographs were then used to develop the paintings. The type of tower inspired the poem that speaks to the subject of the tower, not necessarily to the painting itself. For example, the prose for Water Tower speaks of life and death through the symbols of water. *Poems are not on mobile view

Marble Plinth
You are contrary, a weedy intrusion.
I will blame you and
pull you with hand as cold as bone.
I will lock my heart with
the ways of my Father.
The waving flag and hoisted cross
build a wall of untouchable pride-
mounted on marble plinth.
I will clinch my heart with
the woes of my Mother.
The uniform fits me well, sharp,
buttoned and pinned with honor.
You are the stain, the discomfort.
I will grip my heart with
the ice that is my own.
Guard Tower, 2020, 30" x24", oil on panel, $1,800

Hormesis
Tufts of lint and forest duff,
brittle twigs and a whispered spark,
the bellows of a long, strong breath,
tending a flame to fever-pitch.
Floating forms and pulsing colors
pierce the depths of a keen dark night.
There is the benevolence-
a gift so eagerly acquired.
And so easily the violence
torches the lush forest floor.
Fire Tower, 2020, 30" x24", oil on panel, SOLD

Observation Tower, 2021, 30" x24", oil on panel, $1,800
The Nest
It’s Fall and the sweetbriar
has long since released her
leaves and hips to wind and rain.
Walking by on repeated path,
I see, far within the brambled brace,
an architecture of twig domain!
A brutal stack unlike the soft weft
of woven refuge around my yard.
A prize to seize for my collection!
But it’s far beyond my reach-
walking by on repeated path,
with every pass at great vexation.
And then, perhaps at slower pace,
for eyes and hands that now care less-
Another? Out front and close to hand!
Walking by on repeated path-
Peering at my sightlessness.
Two more? And now I understand.

Resurrection
From Mother’s mound Life begins,
Fontanelle pulsing with blood and breath.
Earth’s survival forged by fire,
Embracing the reality of all this is.
From Lazuline deep Death begins,
Vision shimmered with sinking weight.
Floating down with soft caresses,
Enfolded within eternal Light.
Water Tower, 2021, 30" x24", oil on panel, $1,800

Cell Tower, 2021, 30" x24", oil on panel, $1,800
Silence
A snapped brittle icicle
could not be more
frigid than your air
when I’ve asked selfishly,
pushed soundly,
needed lavishly,
and provoked greatly.
A stoked fiery ember
could not be more ardent
than your mien
when I’ve revealed from within,
enclosed roundly,
bared boldly,
and opened widely.
Yet we are here-
where we’ve always been,
no attachments, no borders,
just here, just now-
exchanging the silence of
knowing the words.

At Hand
Up into the sky I flew
to inhale the breath of God.
The depth of ocean floor I swam
to drink the salt of all there is.
A soaring tower I then climbed
to pierce the dome of Heaven.
Upon the Earth I spread myself
And flung the dust of all I found.
My search was brought to mindful rest
and deep within a seed was sown-
all I sought was there at hand.
Tower of Babel, 2021, 30" x24", oil on panel, SOLD

Lighthouse, 2022, 30" x24", oil on panel, $1,800

Control Tower, 2023, 30" x24", oil on panel, $1,800

Light
​
How does one see the darkness?
Its heaviness like the depth
of a cave lacking oxygen
pushing one to grope and heave
over edges and fissures for a direction
taken only on faith.
Its absence like the void
of a mind without understanding
leaving one to board and batten
over questions and answers for a direction
taken only in fear.
Its denseness like the snarl
of a rhododendron thicket
entailing one to bend and stoop
over roots and branches for a direction
taken only on trust.
Oh then, darkness is not nothing
when that sweet spot of light appears-
a whisper of breeze from the cave’s gap
a sliver of skyline emerging overhead-
the calmness of clinched fear released.
And then one sees darkness as a vessel of light.
Air Traffic Control
News of death comes in a crash-
of a father, a protector, an anchor-
an anchor lost in circumstance,
of circumstance, out-of-control.
I climb the grand staircase
of my grandparents’ home
to an upper room to shelter my Self.
It’s July in South Georgia.
The fan is rotating back and forth,
spinning into a long dark night.
Out-of-control and spinning,
spinning and out-of -control,
and spinning into a long dark night.
The pieces littered everywhere,
spun into fragments in deep recesses
of my heart, my thoughts, for all time.
Pieces are never restored as before.
Out-of-control and spinning,
spinning and out-of -control,
and spinning into a long dark night.
And then, yet, I accept out-of-control
and find peace beyond the long dark night.
Vespers
Twilight dresses our Mother Earth
in evening gown of scarlet red,
fiery orange and purple pinks-
Mourning for our pale blue dot.
A galactic home of our own,
summons with a forceful call-
​
Give heed the tolling bell!
​
We, our own creators be,
ravaged by a deep consumption,
bind our fertile Mother’s arms
and dig her grave in toxic dust.
​
Give heed the tolling bell!
Give heed the tolling bell!